[ Artist Statement ]

My work begins with nature and the body — as a space of memory, perception, and transit. I am not interested in photography as an objective representation, but as a tool to provoke sensory and introspective experiences. For me, the image is not a destination, but a journey: a possibility of connecting the intimate with the collective, the invisible with the tangible.

My background in architecture has given me a deep understanding of space, which I transfer to each work. I don’t construct through technique, but through intuition. Each photograph is born from an internal impulse and becomes real through a process of reflection, where chance, silence, and observation are creative allies. I work with minimal resources because I believe in the essential power of the gaze — in the capacity of an image to become an emotional echo, a resonance of the unspoken.

I aim for my work to be an experience rather than a contemplation. I’m interested in involving the viewer as a co-creator, inviting them to move, to inhabit the space, to read the image through their own physicality. In this way, photography ceases to be an object and becomes a process. An act.

I explore themes such as vulnerability, desire, fragmentation, and identity. But above all, I am interested in perception: how we see, how we remember, how we feel. My work doesn’t offer answers. Only questions. And each image is a way of making them visible.